Many years ago I was bumming around the Pioneer Square neighborhood of Seattle, and I decided to visit the Gold Rush Museum. The museum celebrates the history of Seattle during the years of the Klondike Gold Rush. In 1896 gold was discovered in the Yukon Territory of Canada. When word of this reached Seattle, merchants rushed to make Seattle the official “Gateway to the Gold Fields”. A rumor existed that prospectors would not be allowed to enter Canada without a year’s worth of supplies. Shop owners quickly exploited this rumor. Why mine for gold when they could mine the miners?
Most artists are gold miners. We give up comfort and stability to chase after a dream that will probably not come true. The gold we are mining for is recognition. Most of us will compose/paint/choreograph/sing/write/act/dance/perform whether or not we receive any recognition, but having one’s work recognized is the ultimate golden nugget. It is the chance to quit that soul sucking day job. It is the chance to have more time and money to put into creating more art. It is a validation that the trek was worth it. Of course, where there are miners, there are always folks waiting to mine the miners.
I started writing songs in the late 90’s and became very serious about pursuing this whole singer-songwriter thing around 2000, so when I started this endeavor I was living in a pretty low tech world. Independent musicians were starting to have websites, but social media sites did not exist. It was normal not to have a cell phone and smart phones were still years in the future. That said, calls and emails were not expected to be responded to instantaneously. Sending a venue a CD was a normal part of the booking process.
Over the next decade technology advanced tremendously! Making decent quality recordings and videos became cheap and easy. Social media sites sprang up. It became increasingly easier for independent musicians to manage their careers and book their own shows and tours. Club owners and bookers found themselves overwhelmed by independent artists trying to book shows via email and social media. It is not surprising that a market opened up for a bunch of middlemen.
Over the years I’ve watched so many artists who are truly talented and original pour money into companies like Sonic Bids or X-Ray and never get anything in return. Even music teachers get screwed by companies like Take Lessons. All of these middlemen have created a business model that aids consumers and creates endless frustration and financial hardship for musicians. So why do we go through the middlemen? Because more and more venues or festivals will not listen to your material unless it is submitted through Sonic Bids. Because the first thing that comes up when I google “guitar lessons Seattle” is TakeLessons.com.
After I went to the Gold Rush Museum I had the idea of writing a song about mining the miners that used the Gold Rush analogy. The idea sat in the back of my head for years. Then this song just came out. It came out without out any references to Victorian era Seattle, panning for gold, or trekking through the Canadian wild. I was just pissed one day and wrote this song in about an hour. It also came out with power chords.
Power chords are two note chords consisting of just the root and fifth of the chord. They are usually found in punk rock and are easy to play. I have to admit, I’ve prided myself on being a good finger picker and playing fancy jazz chords for a long time, but the last three songs I have written on guitar (I See Gold, Las Vegas Bride and this song) have been all power chords. I have been really into Amy Ray for the past few years….she rocks. I think I am having a power chord revolution.